chris thomas king me my guitar and the blues

George Coleman, The Quartet, East Ninth Street Blues Gaetano Letizia, Orange Sunset, Expanding Realityĭavid Larsen, The Peplowski Project, All the Things You AreĪl Cohn – Zoot Sims, Easy as Pie, Blue Hodgeĭerrick Gardner, Pan Africa, Blues for the DiasporaĬanadian Jazz Collective, Septology, Terre de Dusable Gaetano Letizia, Chartreuse, Expanding Reality Unauthorized replication or use is strictly prohibited.Bob Brookmeyer, The Blues Hot and Cold, Hot and Cold BluesĬlark Terry – Bob Brookmeyer, Complete Studio Sessions, Step Right Up All copyrights are by the author and Vintage Guitar magazine. This article originally appeared in VG ‘s March ’01 issue. He won a role in the new Coen brothers’ film O Brother, Where Art Thou? that will give him big-screen exposure and hopefully win him a new generation of fans. King undoubtedly has a bright future ahead as a blues revivalist. He would have been better served, however, by a real, flesh-and-blood drummer than bloodless electronic sound of the drum machine. But it’s just that modern touch that gives King his edge. Some traditionalists will certainly scoff at the rap influences in King’s blues. “Like Father, Like Son” layers electric guitar and slide on a dobro to create a radio-friendly blues anthem. It opens with a dark, deep acoustic blues lick on “Why Blues” that builds up to ride on a programmed drum-machine beat punctuated by rap record smears. This new album builds on that blues-rap fusion. That album blended rap and blues to create a new groove that won King rave reviews for his pioneering sound. This was followed by a handful of other CDs on a variety of labels before King hit his mark with 1995’s 21st Century Blues – From Da Hood. In 1986, King released his first album, The Beginning, on Arhoolie. Yet even with a childhood hanging around bluesmen such as Slim Harpo and Henry Gray, it wasn’t until he was in his teens that King connected with his blues roots. His father, Tabby Thomas, owned the famed local club Tabby’s Blues Box and was a local hero, having cuts a handful of sides for the legendary Excello label back in the 1960s. Chris Thomas King is the real deal: a modern-day blues revivalist with one foot firmly in the past and the other keeping time in the present.īorn in Baton Rouge, Louisiana, King grew up schooled in the blues.

Chris thomas king me my guitar and the blues